Studio vs Freelance: Choosing the Right Path for Illustration Artists
by 红玫瑰社区.com on August 12, 2025 | Top Stories, Arts and Design
From designing for AAA video games to storyboarding for global TV networks, illustration careers can take many forms. Whether you dream of working on blockbuster titles like Call of Duty and Destiny 2 or creating characters for Cartoon Network, the creative industry offers multiple career pathways - each with its own rewards and challenges.
Two professionals recently shared their insights with Illustration students at The One Academy:
- Benjamine Low, concept artist at Bear Down Studios, a Malaysian game production house serving clients such as PlayStation, Activision, Bandai Namco, and Ubisoft.
- Edward Gan, freelance storyboard artist and 2D animator whose credits include animated series for major TV networks.
Their contrasting experiences offer valuable guidance for aspiring artists deciding between studio-based and freelance careers.
(Source: What Counts as a Successful Career for Illustration Artists? – 红玫瑰社区.com)

The Studio Life
What It’s Like
Low’s day-to-day work includes 3D texturing, environment and character design, and creating props and weapons for international game titles. Studio artists typically work in teams, following set pipelines and collaborating closely with art directors and clients.
Pros
- Stability – Fixed salary, benefits, and predictable workflow.
- Collaboration – Access to senior artists, mentors, and cross-disciplinary teams.
- High-profile projects – Opportunities to work on globally recognised titles.
Cons
- Less flexibility – Set working hours and deadlines.
- Client constraints – Some clients are highly specific about style, requiring extensive research before each sketch.

The Freelance / Remote Life
What It’s Like
Gan works from home, handling multiple projects for clients across different time zones. His day might include client briefings, online meetings, storyboarding sessions, and - when time permits - a few video game breaks.
Pros
- Flexibility – Freedom to set your own hours and work from anywhere.
- Creative variety – Ability to experiment with styles and choose projects that align with personal interests.
Cons
- Income uncertainty – Workload can fluctuate; payment cycles vary.
- Self-management – Requires strong discipline to meet deadlines and maintain client trust.
How to Choose the Right Path
When deciding between studio and freelance work, consider:
- Personality fit – Do you thrive in a structured, team-driven environment or prefer working independently?
- Skills – Are you a specialist in one area or comfortable adapting to multiple styles?
- Career goals – Do you value long-term stability or the freedom to pick diverse projects?
Career Tips from the Experts
1. Build a Focused Portfolio
“Make sure your portfolio highlights the projects that play to your strengths; avoid overwhelming employers with too much information.” – Benjamine Low
2. Keep Learning and Observing
“Watch a wide variety of shows. Don’t stick to just one drawing style. Constant observation and sketching are essential.” – Edward Gan
3. Gain Studio Experience First
“If you want to be an independent artist, don’t jump straight into it. Work at a studio first to learn the full production flow.” – Edward Gan
Final Thoughts
There’s no single “correct” career path in illustration - both studio and freelance work can lead to fulfilling, high-profile careers. The key is to understand your strengths, preferences, and long-term goals, and choose the path that aligns best with your creative ambitions.
For aspiring illustrators, gaining exposure to both worlds early - through internships, collaborations, or short-term contracts - can provide clarity before committing to one direction.
Interested in pursuing a career in illustration or game art?
Explore The One Academy’s diploma and degree programmes in Illustration, Digital Animation, and other creative disciplines today.
Enquire NowReferences
- What Counts as a Successful Career for Illustration Artists?: /education/news/1754989578
- Photo by Marc Mueller:
- Photo by Andrea Piacquadio:
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